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Review: 6/10

Out of the Darkness
Review by The Mad Bibliographer, submitted on 25-Feb-1995

Adapted from "Vampires in Print," _The Vampire's Crypt_ No. 11 (Spring 1995, slated for March 1995 publication)

Review by Cathy Krusberg

Lynn Erickson. _Out of the Darkness_. Harlequin Superromance No. 626; Harlequin Superromance Showcase; Harlequin, 1995; $3.50/$3.99; ISBN 0-373-70626-X

Miguel Rivera y Aguilar meets nurse Karen Freed, rescuing her from would-be muggers in Central Park. He not only rescues her; on impulse, he asks her on a date. After five hundred years of longing to destroy himself and fearing the agony of sunlight; of pursuing his nemesis Baltazar, the cruel vampire who transforms the best of humanity solely to pervert it; of moving from place to place every decade so his unchanging appearance will go unnoticed: Karen Freed, in her innocence and simplicity, is something new.

Karen, accustomed to just scraping by, doesn't know what to make of this man who takes her to French restaurants, an art show, the opera--but never by day. Miguel responds to Karen's hurt puzzlement by telling all--and concludes by telling her to leave him before his Hunger, his unending bloodlust, overpowers them both. Karen, however, is made of sterner stuff: she feels certain there must be a cure for Miguel's condition. And indeed Miguel remembers another vampire who sought such a cure, decades ago in Finland....

Karen's very normal middle-class family doesn't know what to make of her going on a cruise to Finland with her new, extraordinarily well-to-do boyfriend. Karen is as thrilled as Miguel is apprehensive; can he trust himself so near her for so long? But a worse fear appears en route: Baltazar himself is on board the same ship, ready to take advantage of his old enemy's new vulnerable spot--Karen, the woman Miguel loves.

Despite Miguel and Karen's tribulations, _Out of the Darkness_ is a book of warm fuzzies. The threats never seem great: some are evaded; others neatly vanish by themselves. Perhaps this is to be expected from a romance--_Out of the Darkness_ does not pretend to be a horror novel, after all. Authors Carla Peltonen and Molly Swanton (who form the pen name Lynn Erickson) make no bones about the much-used subject of their story: "a tortured vampire who earns our human sympathy, and a good woman who finds him worthy of love." Sure enough, the protagonists have believable if mundane doubts and fears, their expression interspersed with lovely moments of Karen adoring her man and Miguel almost effortlessly endearing himself to her. It's a guilty pleasures, hurt/comfort, delightfully unpretentious book.




 



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An Interview With Nancy Kilpatrick
Nancy Kilpatrick has published 60 short stories and (under a pseudonym) two erotic horror novels. A long-standing aficionado of the undead, she possesses one of the world's largest collections of vampire- related materials.


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Devlin stepped into the hall, his footstep echoing down the hall as he moved swiftly. The voice was back. His silence gone after he had given the necklace away. It was the only thing that could keep her restless soul from tormenting him; reminding him of mistakes made long in the past. Even he the great reborn magi could not block her voice, and its sweet memories. She whispered in the back of his mind, telling him of his wrongs and protecting him from those that might end his existence; a cruel punishment he would not soon get out of.

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When you cry out in pain
and nobody can hear you,
when your dying inside and
it appears that nobody can
see it in your eyes or that
they even give it a second
thought or don't even care
about your silent screams;


When you scream out for help
and nobody even notices your
true confusion about your
own very existance or your
own worth or your own right
to live because without any
acceptance no one has any
acceptance for themselves;


My silent screams are heard
by none thus I am neither

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The sun is void
There is no day
Dark cast over the truth
Hidden evils
Once captive now roam
Where the misunderstood
And the outcasts govern
Where the sidewalk ends
And the world is turned
You may never have seen us
But we're so definitely there
Haunting your subconscious
You're not quite aware
But we'll stay in the shadows
In the dark shades
Of what you don't know.


Howling Stars
October 9, 2001

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